Introduction to Nastaliq Calligraphy

An introduction to Nastaliq, one of the most prominent and fluid calligraphic styles used for writing the Perso-Arabic script. The Artist: Franco-Iranian artist Bahman Panahi was born in 1967. He holds a Ph.D. in music and musicology, he is a visual artist, calligrapher and musician. From his early childhood, he has been sensitive to the calligraphies that punctuated his environment. His first calligraphic gesture was in the air, tracing a line in space. At a very young age, he understood that calligraphy is a living art, where gesture is combined with rhythm in the search for balance and a consonant harmony, seeking to sublimate sentences, words and letters, whilst revealing their melodic dimension. This poetic conception led him naturally to highlight the resonances of calligraphy and music. Inspired by these two artistic practices, he has made them his vocation. From his teenage years onwards, he devoted his studies to that purpose. He was instructed by the great Iranian masters. At the age of nineteen, he began teaching calligraphy; he became not only master calligrapher but also musician. His studies took him to France, where he deepened his research and developed the concept of Musicalligraphy in his doctoral thesis at Sorbonne University. In his work, Bahman Panahi consistently endeavoured to bring out this conceptual dimension of calligraphy. This artistic practice, comprising both traditional and abstract calligraphic compositions, has allowed him to travel: exhibitions, concerts, artistic performances around the world, exchanges with international artists have all waymarked Bahman Panahi’s life and have lent him international prominence. At the same time, he continues to teach calligraphy. Throughout the world, he delivers courses, runs workshops and contributes to conferences in prestigious locations. In the wake of his teaching, a school of calligraphy has formed and developed informally, gathering together the students whom he has initiated. https://bahmanpanahi.com/en/home/ This workshop is presented in partnership with the generous support of NY based and aspiring calligrapher, Asad Husain - The Reed Society for the Sacred Arts (RSSA) works with a global network of artists and musicians to nurture the cultural, intellectual, and spiritual wisdom woven into sacred art forms. The Reed Society's work serves not only as a platform for cultural preservation but also as a source of healing and reconnection for diverse populations, particularly diaspora communities, immigrants, and refugees seeking to engage with their heritage. In collaboration with leading artists and institutions, our organization curates a rich array of programs — including hands-on workshops, immersive retreats, musical performances, academic lectures, and exhibitions. The Reed Society’s work spans disciplines such as Arabic and Ottoman calligraphy, Islamic illumination (tazhib/tehzib), sacred geometry, and traditional music forms such as Qawwali and Sufi-inspired vocal traditions. The Reed Society has partnered with organizations such as the Smithsonian’s National Museum of Asian Art, The Walters Art Museum, The Kennedy Center, and major universities including Harvard, George Washington University and Stanford. Keep the connection alive — Join our newsletter for upcoming Reed Society programs and events.